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《宠儿》中魔幻现实主义与黑人文化的整合(英文)

作者:丁颖姣
来源:酷文网
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加入时间:2008-07-08
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Conclusion
Beloved is less concerned with the standard of decency that influenced earlier writers. Morrison reveals the horror of slavery in explicit detail, elaborating upon the physical and mental abuses suffered by Sethe, Paul D, and the other Sweet Home slaves. Beloved not only speaks for the slaves whose voices were silenced, but also contributes to Morrison’s critique of the aesthetics that has dominated African-American culture and its canon of literature.
Beloved is a contemporary novel with the appeal of a ghost story, a mystery, and a work of historical fiction. It is a complex literary work that also seeks to understand the impact of slavery, both on the psychology of individuals and on the larger patterns of culture and history. Morrison was drawn to the historical account, and she employed the magical realism to brought up questions of what it meant to love and to be a mother in a place and time where life was often devalued. She used spectral to forced the characters to face the past and heal the pain. Beloved is not just a ghost story to tell for amusement; this is not a story to pass by; this is not a story to tell lightly because once you tell it things will never be the same. But this is also not a story that you will ever fully comprehend. Morrison takes her turn to denounce slavery and long for the freedom on behalf of all slaves.

References
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[3] Frye. The Archetypes of Literatures in 20th Century Literary Criticism [M]. Lodge: Pergamon Press, 1970.
[4] Morrison, Toni. Beloved [M] New York: Knopf, 1987.
[5] Washington, Elsie. Talk with Toni Morrison [M]. Jackson: University Press of Mississippi, 1994.
[6] Cutter, Martha. The Story Must Go On and On: The Fantastic, Narration, and Intertextuality in Toni Morrison’s Beloved and Jazz [J] African American Review.Vol. 34, No. 1 (2000): 61-66.
[7] Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, & the New International [M]. Michigan: Bedford Publishers, Inc., 1994.
[8] Redding, Jeff. Looking into the Self That is No Self: An Examination of Subjectivity [M]. Westport, Connecticut: Greenwood Press, 1998. 115-137.


[9] Brogan, Kathleen. Toni Morrison’s Beloved: Re-memebering the Body as Historical Text in Toni Morrison’s Beloved: A Casebook.[M]. New York: Oxford University Press, 1999.
[10] Zamora. Ghostly Presences: Magical Realism in Contemporary Fiction of the Americas [J]. Critique. Vol. 336, No. 2 (Winter 1995): 96-106.
[11] McDermott, Monica and Samson, Frank L. Whiteness Studies and the Multicultural Classroom.[J] Melus: The Journal of Society for the Study of Multi-Ethnic Literature of the United States. Vol. 30, No. 2 (Summer 2005): 99-121.
[12] Benjamin, Drew. The Refugee: A North-Side View of Slavery. Four Fugitive Slave Narrative [M] MA: Addison Wesley, 1969.
[13] House, Elizabeth. Toni Morrison’s Ghost: The Beloved that was not Beloved [M] New York, NY: G. K. Hall & Co., 1998: 117-26.
[14] Harper, Frances. The Slave Mother: A Tale of Ohio. Toni Morrison’s Beloved [M]New York: Oxford University Press, 1999
[15] Malmgren, Carl. Mixed Genres and the Logic of Slavery in Toni Morrison’s Beloved [J] Critique. Vol. 336, No. 2 (Winter 1995): 96-106.
[16]德•扎车斯基.什么是现代主义[J]世界文学,1983
[17]N•弗莱.批评的剖析[M]美国普林斯顿大学出版社,1972
[18]刘海平,王守仁. 新编美国文学史[M]上海:上海外语教育出版社, 2002
[19]柳鸣九.未来主义、超现实主义、魔幻现实主义[M]台北: 淑馨文艺出版社,1990
[20]余碧平, 现代文学的意义与局限[M]天津:百花文艺出版社,2002

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